La Cage Aux Conservatisme?

In this week's issue of New York magazine, Kelsey Grammer discusses his upcoming Broadway turn in La Cage Aux Folles, and the implications of being a Republican playing a gay role. From Adam Sternbergh's profile:
“It’s a great story about any couple. They all have the same dynamic: a heterosexual relationship, a homosexual relationship, a man-with-dogs relationship. There are universal events that take place: the differences, the angers, the insecurities, the histrionics. You would call it, I guess, a male-female dynamic. This just happens to be two boys.” I ask him about La Cage’s relevance today, given the Proposition 8 fight in California. He says, “Oh, right. Of course. You know I wasn’t even thinking of that. Isn’t it funny?” On the subject of gay marriage in general, he adds, “Why is the government involved at all? If two men marry or two women marry, fine, go ahead—it’s not my issue. But when governments get involved, it just becomes more confusing.”
