"hey by the way you guys have mandy moore in here?"


Tags: so much crazy everywhere
Looks like the touring case of LEGALLY BLONDE won't be spending their downtime shopping like Elle Woods. The salary according to a recent breakdown is $375/week. What a disgusting slap in the face to actors, and a gross abuse of the musical theater system which innately has a very large supply of actors and limited demand.
Tags: Things that suck
According to witnesses at the Times 100 gala, the Glee star spent the entire dinner hour making out with her BF at the table. She made no time for any of the other high-profiled guests and when legenday celebrity photographer Patrick McMullan came over to take a picture, their exchange went a little something like this:
Patrick McMullan: What’s your name?
Lea Michele: [Rolls eyes.] Sarah Palin.
Patrick McMullan: [Laughs.] No, really, tell me your name.
Lea Michele: Taylor Swift.
Patrick McMullan: Fuck you.
[Exits.]
Tags: Glee
Here's the first single from The Pass's EP, I like these guys' Bowie-esque ways, and the video is pretty rad...
Spring has sprung, and in honor of her opening at the Carlyle last night, I submit for your enjoyment, Leslie Uggams!
Tags: so much crazy everywhere
Nikki Finke reports that Megan Mullally is departing the Broadway production of Lips Together, Teeth Apart. Looks like her and Joe Mantello weren't seeing eye to eye - Finke says "Mullally simply had had enough of the abrasive manner of director Joe Mantello." The comments on Finke's post are pretty fun, including some rather spirited Wicked defenders that don't normally crop up on DHD.
Tags: Broadway, Megan Mullally

In this week's issue of New York magazine, Kelsey Grammer discusses his upcoming Broadway turn in La Cage Aux Folles, and the implications of being a Republican playing a gay role. From Adam Sternbergh's profile:
“It’s a great story about any couple. They all have the same dynamic: a heterosexual relationship, a homosexual relationship, a man-with-dogs relationship. There are universal events that take place: the differences, the angers, the insecurities, the histrionics. You would call it, I guess, a male-female dynamic. This just happens to be two boys.” I ask him about La Cage’s relevance today, given the Proposition 8 fight in California. He says, “Oh, right. Of course. You know I wasn’t even thinking of that. Isn’t it funny?” On the subject of gay marriage in general, he adds, “Why is the government involved at all? If two men marry or two women marry, fine, go ahead—it’s not my issue. But when governments get involved, it just becomes more confusing.”

What can be said about Million Dollar Quartet? Where to begin? This is a musical experience that would cozily fit into the Vegas circuit, prompting smiles and nods of recognition from oldsters reliving the heyday of Elvis, Johnny Cash, et all. Alas, it does not fit so comfortably on Broadway.
There's very little story, and yet what little narrative the anemic book does provide is nonsensical. The cast, I'm sorry to say, can't provide the necessary energy and charisma to elevate the experience to the dynamite one-night-only event that the production insists you are witnessing. Instead it feels more like a warmed-over impersonator cabaret. Oh, and Hunter Foster is there to narrate, which unfortunately does not help matters. An icky feeling hangs over the whole affair, as if a producer saw Jersey Boys and thought they'd throw the same ingredients together and manufacture an easy money-making hit. They were mistaken.
As a friend lovingly dubbed these recent productions, "Guys & Suck," "Not-so-Brighton Beach", and now "Four Dollar Quartet" - is the Nederlander the new Biltmore?
I mean what kind of person would I be if I didn't share this with the world:
Tags: ben sollee
It was of consequence, I should think; verily, it tied the room together, gather'd its qualities as the sweet lovers' spring grass doth the morning dew or the rough scythe the first of autumn harvests. It sat between the four sides of the room, making substance of a square, respecting each wall in equal harmony, in geometer's cap; a great reckoning in a little room. Verily, it transform'd the room from the space between four walls presented, to the harbour of a man's monarchy.Via Kotkke.
Michael Riedel has some not-so-nice things to say about the Broadway revival of Ragtime, which is set to close on Sunday. I wanted so, so badly to love this production, but it's hard to disagree with much of what Michael Riedel says (aside from calling the cast Maryland locals, which is untrue and just mean). In spite of the ways that Ragtime failed to be what many of us had hoped for, there is one silver lining:
At least cute little Bobby Steggert got something out of this disaster. As Mother's Younger Brother -- a character name that's as bloated and pretentious as the show itself -- he caught the eye of a Times reporter, who gushed that the actor has "career breakout potential."
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